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    The Myth of the Writing Fairy

    Hereís a fun question to ponder. What do The Stand, The Hobbit and A Christmas Carol all have in common? The answer is simple. Too simple. Horrifyingly simple.

    A few years ago I decided to write a novel. I had characters all outlined and plot points galore. I had my settings down pat and a nice storyline that would illuminate the main characterís journey into a self-activated person, hopefully sending a touch of inspiration my readerís way when they turned the last page of my novel. I had a large amount of notes in an even larger amount of notebooks. I was a writer. Right? Wrong. I wasnít a writer yet because I was still enchanted by the Writing Fairy.

    You know what the Writing Fairy looks like. She is that magical creature that will take the dialogue running through your head and place it onto the page. She is the person that will fill in those little blanks that donít seem worth worrying about while youíre in the brainstorming stage. She is the mythical beast that will take all of your imagination and creativity and turn them into a book for you.

    The Writing Fairy sits on your shoulder every time you pace up and down your room thinking up great new ideas for where your characters are heading and convinces you that you are on your way to being an established author. The Writing Fairyís touch is the only thing you are waiting for before you begin to actually sit down and pound out the pages of your manuscript. Yes, as soon as the Writing Fairy says that it is time, you will begin to write in earnest. I have news for you. The Writing Fairy is none other than you because you are the only person who can do these things for you. And the moment you are waiting for? I have some news concerning that, too. That moment either comes right here right now, or it never comes at all.

    Am I saying that brainstorming about characters and muddling over speeches is a waste of time? I most certainly am not. What Iím saying is that you reach a certain point where your outline doesnít need to be refined any more, where itís time to put it onto the page and nail it down in a more concrete sense. The Writing Fairy will make you hesitate to do this, promising you that thinking really hard is writing. Sheíll tell you that you arenít ready to put anything down on the page yet, or youíre not ready to go on with the next scene because everything just doesnít seem right. Donít believe her, sheís deceiving you. Iíd like to say that she is flat out lying, but sheís not. Things arenít going to seem right when they first start to appear on the page.

    This is what seems so contradictory about the writing process. Your dreams and aspirations seem to shrink down once you actually put them into writing. Being creative seems harder and harder as more and more words get put down. Donít worry though; your dreams are big enough. Acknowledging that your finished piece is not going to live up to the sparkling gem you have inside your head is something that every artist goes through -- it could be the reason why so many of us seem a little bit crazy.

    Pick any piece of art. Now, as great as that finished product seems to you, there is not a single book, painting, opera, movie, whatever, that came out exactly the way its creator intended it. That is a very large part of the creative process: surrendering to its limitations. And accepting this fact goes a long way towards chaining down that Writing Fairy and actually producing some work. Donít listen to her siren song. Donít think that it should feel one hundred percent right the first time. It wonít. Thatís what the rewriting process is all about. Believe me, writing is truly in the rewriting. Even Kerouac rewrote his stuff.

    However, in order to start the rewriting process, you need a hard first draft to pick over and toy with. You need something concrete to look at and see which scenes fit and which donít. Youíll find that a lot of your brainstorming gets thrown out the window. This isnít a stifling of your creativity, is channeling your creativity into your selection process. And it doesnít matter how horrible and off the mark your first draft seems to be turning out, youíll polish all of that out later. But you need that first draft to really start things off, and it will never get finished if you continue to believe the Writing Fairyís misleading comments.

    Take another look at the opening question of this article again. Any closer to an answer?

    I have more bad news about the Writing Fairy. Simply sitting down in front of your keyboard and starting your novel cannot vanquish her forever. Sheíll be back. She always comes back. Here and there she offers a much-needed break and a much-needed step back from your work to rethink things. More often than not, though, sheíll pop up as you write more and more detailed character sketches, or get sucked into researching something for hours and hours and days and days. She is very good at convincing you that more outside work is needed and that you donít need to sit down at your keyboard quite yet. She must be stopped.

    When you really hit a roadblock, youíll know. If you just need to sort some things out that does not qualify a three-week break from your manuscript. Thatís the Writing Fairy singing her sweet song. You need to do more then just sit down and start in order to silence the Writing Fairy. You need a schedule. "But how can you turn your writing on and off like that? How can you force yourself to write if you arenít feeling it?" I imagine that some of this is flowing through your head right now. The answer is that you can. Itís that easy.

    Iím not saying that youíre going to sit down and write Nobel Prize winning page after Nobel Prize winning page. But you must keep writing. Keep fleshing out your story and your scenes. Keep plowing through with your writing when you say your going to even though it doesnít seem to be very good. Youíre not going to submit it as it is anyway. The ending of my novel changed about three hundred times in the course of writing it. Whatís more, I never would have reached the ending if I had continued to go over and over my first twenty pages wanting them to be perfect.

    Itís really silly when you think about it. You donít have an entire book yet; how can you make sure the opening is perfect if you donít know where itís supposed to lead the reader? You donít really know your characters yet, how can you expect them to be just right? Believe me, it is better to write it horribly wrong and then fix it than to never write it in the first place.

    Keep plugging away, keep going, keep heading towards that ending that doesnít seem to fit and that you donít really even like. Carve a few hours out of each day and just type away at the keyboard. You can always make a scene longer. You can always take out some dialogue. You can always change a character or a point of view. You can really do anything you want to, which is why itís easy to get bogged down in the beginning. Keep in mind that while you can always change it, you have to write it first.

    Now, do you want to know the Writing Fairyís major-super-bonus-end-all-be-all secret? Here it is. Keep it quiet. Put it in the bag somewhere next to the cat or under your hat if you prefer. Here is my secret. You are a writer. Right now. With only what you have in your head as it is. You donít need anything else. You are a writer. You just need to keep writing. Donít let the Writing Fairy tell you that you arenít. That you need something more, that youíre pretending to be something youíre not. Hemmingway wasnít Hemmingway when he started. He was just a guy names Ernest who sat down at his typewriter. Believe me. You are a writer. You are a writer. You are a writer. And no, you donít have to repeat that while clicking your heels three times. You donít have to do anything but write. And thatís the Writing Fairyís horrible little secret. I stumbled upon the moment I stopped waiting for her to show me a sign that the time was right to actually start typing and just went ahead and did it. Now is the right time; now or never.

    So letís go back to the question at the beginning of this article. Any ideas on what those three books have in common? Theyíre all in English? Okay, Iíll add Les Miserables to the list. Theyíre all from the last few centuries? Okay, letís throw The Iliad on there. Give up? What those books have in common, what every book you read has in common, is that it was written. Simple isnít it? I told you it was. That is the only difference between what is in your head and any book you have ever picked up. All the books you see every day were actually written. Someone sat down and wrote them out. That it. Thatís the secret. That's what the Writing Fairy is hiding from you.

    You're ready to write your book. You just have to sit down and do it. I said that the secret was simple... I also called it horrifyingly so at the beginning of this article. Why is it horrifying? Because, as I've mentioned, the Writing Fairy is you. She makes it seem like she's someone else. Someone or something you're waiting for before you begin. But that someone or something doesn't exist. The only thing that exists is the fears she creates inside of you head. And that means that the person telling you to wait is you. The person holding you back is you. The person hesitating to write is you. And the only person who can make you ignore all of this and just start writing... you guessed it... is you. So come on, stop reading this, open up a new document, start clicking away at those keys, don't be afraid, just trust me on this one... youíre a writer.

    Copyright © Joseph Devon

    Joseph Devon has written two full length novels and numerous short stories. He currently resides in New York City.

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